closest friends were attending Yale, he tried a year as a clerk in a New York dry goods house and another year at sea. Neither pursuit proved agreeable. In the mid-1840s he prepared for what he thought would be a suitable profession as a gentleman farmer by living and studying with several prominent agriculturalists, among them George Geddes, whose upstate New York farm had won the state agricultural society prize for exemplary management. When his father bought him farms first in Connecticut and then on Staten Island, Olmsted envisioned himself as a “country squire” with a responsibility to disseminate scientific knowledge and rural taste.
As a youth, Frederick Law Olmsted traveled through the New England countryside with his father, who admired rural scenery; and as a young gentleman farmer, he read the latest literature on art criticism (including Ruskin’s Modern Painters), on horticulture, and on English landscape gardening. He wrote articles for Downing’s Horticulturalist on pear and apple farming and another on the attractions of Liverpool’s Birkenhead Park. With the rural improvement movement at its peak, he also helped organize an agricultural society on Staten Island for the promotion of rural tastes and scientific agriculture. But while Olmsted learned the art of landscape appreciation and the latest theories in rural improvement, he gained little experience in the work of design.
In the 1850s, Olmsted abandoned model farming for journalism, another field in which he hoped “to take up and keep a position as a recognized literateur, a man of influence in literary matters.” Following a trip to England, he published Walks and Talks of an American Farmer in England, which combined observations on the English social landscape with sentimental invocations of “Old England for ever! — Amen.” He took several journeys through the American South and sent a series of letters to the New York Times that formed the basis for his three influential books on southern mores and the economic conditions of slavery. In 1855 Olmsted became both a managing editor of Putnam’s Magazine and a partner (again through his father’s investment) in the publishing house of Dix and Edwards, which was publishing his second book. The Dix and Edwards firm became an early casualty of the 1857 depression. A family friend, Park Commissioner Charles Elliott, encouraged Olmsted to apply for the post of the park superintendent, and he did so.